"How do we know what is really happening in that place? For those whose only exposure to the war is through streams of data mediated by screens like this one, it may be possible to suspect, as Jean Baudrillard famously declared some fifteen years ago, that none of it is really taking place at all."

"Each of the projects in this second issue of Vectors in some way serves to remind us of the social and cultural imbrications of technologically-mediated mobility."

"Likewise the computer you are now using will one day crash or become obsolete, perhaps taking its prodigious memory with it, an eventuality that suggests the alarming impermanence of digital media while it hints mischievously at our own mortality."

"Pilots, he asserted, just 'saw things differently' and had an 'easier time' during the war, a veiled reference to the devastation left behind in the wake of planes like his, a consequence his aerial perspective made easier to disavow."

"I am continually amazed by how easy it is to hold these two types of work apart and have come to believe that the very forms of electronic culture encourage just such a partitioning or modularity, making it hard to sustain connections across fields of knowledge."

"As Michael Frisch claimed, 'What matters is not so much the history that is placed before us, but rather what we are able to remember and what role that knowledge plays in our lives."